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Eden Movie Review & Film Summary (2. What becomes clear pretty early on in Mia Hansen- Love's . The scene changes over time, starting out with underground raves in abandoned warehouses or old docked submarines, and morphing into parties at gigantic nightclubs with a velvet- rope policy at the door. It also features one of the best soundtracks in recent memory, a history lesson of club music.

The film is quite personal, despite its slow and insistent historical sweep, and it's co- written by Hansen- Love with her brother Sven, based on his experiences as a DJ in the French house scene. Advertisement. He wants to be a DJ, and hangs around the DJ- tables at raves, asking questions, bonding over music. The DJ is the rock- star, powerful and glamorous. Paul's mother does not understand what her son is doing with his life. But Paul is devoted to music, and knows the kind of sound he wants to create, a mixture of . Teenagers, through word of mouth, or cryptic messages placed in the back pages of fanzines, gathered in out- of- the- way places, often armed with secret passwords for entry, and got . You had to know where the party was.

You sought it out. Over time, house music rose in influence, sweeping the world, and the DJs who started out spinning records at illegal raves in dilapidated abandoned buildings began to get better- paying gigs at high- class joints in places like St. Hansen- Love is very interested in people, but she is more interested in the larger movement of their lives, and how time pushes them along and changes them (or doesn't). Surrounding Paul is a large ensemble of good friends, and we get to know them almost by osmosis, typical of Hansen- Love's subtle approach. There's Arnaud (Vincent Macaigne), hilarious and bitter, haranguing his friends repeatedly about ? There's Louise (Pauline Etienne), a sweet and supportive party girl, who dates Paul for a couple of years.

Their relationship is intimate and intense. Cyril (Roman Kolinka) is an artist, working on a comic book, creating posters for Paul's DJ career, and battling depression. Other people come and go.

They enter the scene, and they leave it. Throughout . The scenes repeat. Denis Lenoir's cinematography is beautiful, evoking the eternal nature of the dance- club scene and yet sensitive to its nuanced changes, how it moved from DIY to corporate. Advertisement. Hansen- Love's films (four features thus far) are . It's not a cold style, just uninterested in the common use of catharsis, melodrama or even plot.

In that film, Hansen- Love stays with the family in the aftermath of the tragedy, watching how they adjust and deal with the financial and emotional chaos he left behind. She continues to watch and look when other filmmakers, interested only in the plot, turn away. Her films bring with them a feeling of the relentless and heavy push of time itself.

Well, it takes time. Time does not heal all wounds, but it does change our relationship to painful events. Paul experiences that in . New York. There is a poignancy in their encounter, a sense of a road not taken, but the sharpness of the initial pain has lessened. Time has done its work, off- screen. This is a hard quality to capture on film, although we all know it from real- life, and Hansen- Love accomplishes it repeatedly.

She devotes herself, methodically, to what her characters do, refusing to zoom in, so to speak, on the highs/lows of emotion. Those highs/lows exist, but they are not lingered over, or fetishized. There's almost a George Eliot quality to her work. George Eliot's novels often give the impression of an omniscient narrator sitting on a cloud, staring down at the pain and anxiety of human life; that distance provides the perspective necessary to tell the story. Paul's journey in .

The acting in . Hansen- Love is interested in things other than being . The group scenes with Paul and his friends are wonderful, thrusting us into their familiar dynamic, the jokes, the philosophical conversations, the way everyone speaks over everyone else. Like the dance- club .

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Hansen- Love has a great eye for detail. Watch for the expression on the harassed waiter's face when someone in the group orders an . Or the hilarious section when Paul dates a woman only interested in him because he is a DJ . That character only appears in two scenes (such is the sweep of time covered in.

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